In Yu Hang's large scale paintings, brush strokes and color block representation suggest the possibility of the collaborative construction of abstract structure background color and vague concrete outline. In the tangible and intangible pending state, the artist tries to capture the fog of fear hidden behind the collective subconscious and irony the trap of the rigid order; By the use of network cartoon images, Liu Chuan's paintings present a logical narrative sense of the illustration. The cold and restrained black lines, while moving the violent and bloody story onto the stage, remind the emotional corners of the shadows where the onlookers do not trace; Feng's creative activities always focus on the search and creative use of materials. Based on the proposed identity of Wenzhou islanders, the artists uses cheap materials at their fingertips to compile a feast of abundant contemporary myths and construct a virtual paradise with unknown direction.
The title "PINK PUNK PARK" suggests the spirit of transcending gender orientation, dissolving the intense emotion in the soft and beautiful layout. The resistance to order, the pursuit of freedom, and the care for identity form a running thread and intertextual echo in the works of the three artists, which all point to the complete narration conspired by specific social phenomena and cultural psychology.
